Looking about me and taking in the full extent of the collection, I felt a giddying thrill at the very idea: the consummate delinquency, the shameless delight taken in such an articulate and extended act of vandalism. In daring contrast to everything I had been taught about looking after books, Roy’s library represented a lifetime’s commitment to sheer mischief and I thought that wonderful.
from Remembering Roy Gold, Who was Not Excessively Interested in Books – The Public Domain Review
Great summary video from the folks at Vox and 99% Invisible. I’d known about some of this stuff before, but it’s nice to have it all together like this.
Nice video essay on a performance of this piece and Neely‘s reflections on it. And yes, he addresses the whole “modern classical” thing too. At the end, he has an interesting insight, worth sticking around for IMHO.
From the website:
“Scottish artist Katie Paterson has created a one hundred year artwork Future Library “Framtidsbiblioteket” for the city of Oslo in Norway.
“One thousand trees have been planted in Nordmarka, a forest just outside Oslo, which will supply paper for a special anthology of books to be printed in one hundred years time. Between now and then, one writer every year will contribute a text, with the writings held in trust, unpublished, until the year 2114. Tending the forest and ensuring its preservation for the one hundred year duration of the artwork finds a conceptual counterpoint in the invitation extended to each writer: to conceive and produce a work in the hopes of finding a receptive reader in an unknown future.”
Joseph Rodriguez documented the world outside his taxi during the 70s and 80s.
Source: Old New York, Seen Through a Cab Driver’s Windshield
Your moment of zen is here.
Here’s a strange trip. I don’t want to say too much about it, but it will take a while, and stay with it. It’s absolutely worth it.
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